This
year, I tried a new idea with the students: The Karate Challenge. For each
"belt" color there were several pieces that needed to be covered plus
technique work like scales and chord work. Several of the kids earned their
colors, even one blue belt which is quite advanced. Instead of real belts, I
gave the children certificates and silicon bracelets, which the kids seem to be
wearing these days.
The Note Mastery Challenge
motivated some kids to win either bronze, silver or gold badges. I had these
badges specially designed and made for me. Designated notes had to be learned
so well that they could be recognized, the tone played and the note names
spoken within 60 seconds. The ones who won also got to sign a special list on
the door. It's fun to see who has "done the work" over the years!
Repetition
and rehearsal of information enhance a process called consolidation, the
process by which memories are moved from temporary storage in the hippocampus
(a small structure within the brain) to more permanent storage in the cortex
(the outer layer of the brain) (Richards, 2003, p. 24).
Multiple
repetitions of the information provide rehearsal, but doing so may bore
students. When bored, the brain can go into a pattern similar to the
"screen saver" mode on your computer monitor. The student may not pay
attention to what he is repeating. Therefore, using strategies with humor,
movement, songs, and other forms of novelty are critical in enhancing the value
of the repetition.
In the lessons, I used every
motivation game I could think of to make repeats more fun. Many students
believe that just playing something once is enough. Often, that is not
sufficient. We remember something best when it is organized and rehearsed. Repetition
is the mother of skill. I used the penguin game, dice, The Memory Game, Sweet
Repeat Treats...
Imagine if we as teachers,
and parents reinforced kids for their use of concrete strategies in
organizing their information. Pediatrician, Dr. Mel Levine suggests: "I
thought that before a test, kids ought to be asked to hand in a memory plan.
The same way a pilot would hand in a flight plan. In other words, how are you
going to go about getting stuff into and out of your memory? And students ought
to be graded on the plan as much as they are on their test" (Levine and
Meltzer, 1998). I'll be thinking about this during the summer break. Maybe I
can develop some concrete tips!
The students enjoyed THE
AMAZING PRACTICE GAME this spring. Each child received a poster with squares
(or circles!) on them. The object was to check off one square after 15 minutes
of practice. It was also possible to cross off two squares after 30 minutes,
which some children did. Along the way, the kids got to pick activity cards
(scales, arpeggios, favorite piece, last memorized song, etc.) in the lesson,
open the Tinker Bell Music Box, receive an extra goody or two, and finally,
open the GOLDEN BOX!
At the beginning of the
year, I gave most of the kids a “practice log”. The idea is to write down
what was practiced, how it was practiced and how long. Then they showed the log
to me at the next lesson. I hoped it encouraged the kids to think about what
they are doing a bit more. I could also see what kind of practicing techniques
the kids know (or don’t yet know). I just asked the "newbies" to cross
off a square.
I
worked on intermediate and advanced practice techniques with some students. I
pasted "difficult passages" onto a sheet of paper and the students
(with my help) were asked to develop ways to practice them. These were listed
below the passage. These "hard parts" had to be played perfectly
before I allowed the students to begin the piece in earnest.
I felt like a preacher,
exhorting the value of daily practice albeit short at times. I begged students
to develop fingerings and really learn them. I cajoled the kids who knew no
notes to learn them as a way to independent learning. But it was worth it. Yet
some (very few) hardly practiced and some still don't know their notes. But I
tried!
This
last month was tough: lots of athletic events, final events at school, last
exams, etc. Yet the children played a lovely recital - The Piano Party. The
Family Picnic afterwards was fun.
I’ve asked the parents to please
take advantage of my offer to listen to digital recordings during the summer. They
record the piece their child is working on at the beginning (just starting the
piece), and perhaps each week afterwards. They send me the recording and I
gladly listen to it as well as send back a critique and some practice suggestions.
It's a free service I offer. It just takes me a few minutes anyway.
To ponder
Neurons
that fire together, wire together.
To
understand a motor image, think about struggling to remember a phone number.
You may move your fingers in the pattern of the phone number as if dialing it
and find that this helps you recall the number.
Repetition
and practice trigger neurons (brain cells). When a set of neurons fire
together, they develop a "habit" of firing together again. Habits as
well as academic learning occur this way. Use multisensory strategies so your
child simultaneously sees, hears, and touches or moves with the information.
Did you
ride a bicycle when younger? Did you learn to ride your bicycle by reading a
book about it? No, you needed to actually practice riding. With enough
repetition, you retained a motor image of the procedure. Would you be able to
now get on a bicycle and ride with relative ease? Most people will answer yes
to this question. Why is that? Our muscles remember information or procedures
that were practiced many times. Muscle memory is a powerful learning tool!
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